# Genuary2023_Suprematism

### **The prompt for Genuary 2023 Day 11 is**

## Suprematism

For Today's prompt, I am following the following information about Suprematism :

* ***"Suprematist art would lead to the "supremacy of pure feeling or perception in the pictorial arts"***
    
* ***"Suprematism focused on the application of elementary geometric forms such as the square, the cross, and the circle. Suprematists also explored the idea of non-Euclidean geometry; that being a practice that “defied logic” by giving the illusion of fixed geometric forms floating or moving in space. The movement’s simplification of form and color proved influential, especially through the efforts of Malevich’s famous understudy*** [***El Lissitzky***](https://www.theartstory.org/artist/lissitzky-el/)***, in the development of later avant-gardes including the*** [***Constructivist***](https://www.theartstory.org/movement/constructivism/)***,*** [***Bauhaus***](https://www.theartstory.org/movement/bauhaus/)***, and*** [***De Stijl***](https://www.theartstory.org/movement/de-stijl/) ***schools. " -***[https://www.theartstory.org/movement/suprematism/#:~:text=Summary%20of%20Suprematism&text=Its%20name%20related%20to%20Malevich%27s,that%20were%20connected%20to%20storytelling](https://www.theartstory.org/movement/suprematism/#:~:text=Summary%20of%20Suprematism&text=Its%20name%20related%20to%20Malevich%27s,that%20were%20connected%20to%20storytelling).
    
* Also will be paying hommage to the Black Square piece - [https://en.wikipedia.org/wiki/Black\_Square\_(painting)](https://en.wikipedia.org/wiki/Black_Square_(painting))
    

<iframe width="560" height="315" src="https://www.youtube.com/embed/4xsWH1W3sL0"></iframe>

Today's post will follow squares coded in ***LiveCodeLab*** as they represent the feelings of the particles and pixels. Audio takes in ***SonicPi*** code from the *Generative Music* prompt with some minor tweaks

***The square isn’t getting warmer  
But it still intact with its corners  
With angles still equal  
Even if it is in the sequel  
Or their origins are seen in the prequel  
The corners remain  
As the squares rotate in their lanes***

### ***LiveCodeLab Code***

```javascript
simpleGradient black,white,grey

fill black
stroke white
scale wave(0.03)

rotate  sin(time)/3,sin(time)/3
	rect sin(time)/3 + cos(time)/3

rotate cos(time)/3,cos(time)/3
	rect 
	rect 0.5,1

move 2,2,2
rotate sin(time)/3,sin(time)/3
	rect sin(time) + cos(time)/4
	rect
```

### ***SonicPi Code***

```ruby
#Two chord based functions, one runs on a random assortment, while the other one iterates

#In this version, Audio is slowed down by 55%

def chordsChoose(notes,minMaj,minMaj2,timeChord,dc,st)
  play chord(notes.choose, minMaj,decay: dc, sustain: st)
  play_pattern_timed chord(timeChord, minMaj2), [0.25,0.5].choose
  sleep [1,0.5,0.25,0.5,0.25,1].tick
end

def chordsTick(notes,minMaj,minMaj2,timeChord,dc,ak)
  play chord(notes.choose, minMaj,decay: dc, attack: ak)
  play_pattern_timed chord(timeChord, minMaj2), [0.25,0.5].tick
  sleep [1,0.75,0.5, 0.25].choose
end

#function for the arrangement

def arrangement(sound,bpm,preeffect,intensity,intensity2,loop,effect,effect2,effect3,effect4)
  
  use_synth sound
  use_bpm bpm
  
  with_fx preeffect,mix: intensity do
    live_loop loop do
      
      with_fx effect4 do
        with_fx effect, mix: intensity2 do
          chordsChoose([:a4,:c4,:f4],:minor,:major,[:c5,:c5].tick,bpm/30,dice(3))
          chordsTick([:d3,:f3,:c3,:b4],:major,:major,[:f4,:d4].choose,2,1)
        end
      end
      
      
      with_fx effect4, mix: intensity do
        with_fx effect2, mix: 0.2 do
          chordsTick([:g3,:a3,:c3],:major,:major,[:g4,:f4].choose,3,dice(3))
          chordsTick([:e4,:a4,:c4],:major,:major,[:g4,:f4].choose,1,2)
        end
      end
      
      with_fx effect3, mix: intensity2 do
        with_fx effect3 do
          chordsChoose([:a3,:g3],:minor,:major,[:a4,:a4].tick,0,dice(3))
          chordsTick([:b2,:d2,:f4,:d2],:major,:major,[:g4,:f4,:d4].tick,1,dice(2))
        end
      end
      
      
      with_fx effect4, mix: 0.1 do
        chordsTick([:f3,:b3,:g2],:major,:major,[:f4,:d4].choose,0,2)
        chordsTick([:g3,:a3,:c3,:f3],:major,:major,[:g4,:f4].choose,3,1)
        chordsTick([:d3,:b3,:f3],:major,:major,[:f4,:d4].choose,2,bpm/20)
      end
      
    end
  end
end

#treating every arrangement function as if it was a member of an ochestra



arrangement(:piano,60,:hpf,0.2,0.4,:arrangement1,:ixi_techno,:ping_pong,:ixi_techno,:ixi_techno)
arrangement([:fm,:prophet,:pretty_bell].choose,30,:lpf,0.3,0.5,:arrangement2,:ixi_techno,:gverb,:ixi_techno,:krush)
arrangement(:piano,30,:hpf,rrand(0.2,0.3),0.4,:arrangement3,:ixi_techno,:pitch_shift,:ixi_techno,:krush)
arrangement(:piano,15,:ping_pong,rrand(0.1,0.3),0.5,:arrangement4,:ixi_techno,:vowel,:ixi_techno,:ixi_techno)
arrangement([:fm,:prophet,:pretty_bell].choose,15,:ping_pong,rrand(0.1,0.3),0.5,:arrangement5,:ixi_techno,:pitch_shift,:ixi_techno,:ixi_techno)
arrangement(:chipbass,30,:vowel,rrand(0.1,0.3),0.5,:arrangement6,:ixi_techno,:pitch_shift,:ixi_techno,:ixi_techno)
arrangement(:dark_ambience,45,:whammy,rrand(0.2,0.7),0.4,:arrangement7,:ixi_techno,:ping_pong,:ixi_techno,:ixi_techno)
arrangement(:chipbass,15,:vowel,rrand(0.3,0.5),0.5,:arrangement8,:ixi_techno,:pitch_shift,:ixi_techno,:ixi_techno)
```